In the early 1980s, Ivan Illich published a number of radical critiques of modernity in which he drew attention to vernacular values, proposing a trenchant but hospitable definition of this term. It derives from Roman law, in which everything produced within the household for consumption within the household and not for sale or exchange is vernacular. In order to locate this proposition within the field of architectural criticism, this book borrows with ironic intent part of the title of Robert Venturis celebrated work, Learning from Las Vegas (1977), which launched the fashion for post-modernism in architecture. Taking advantage of a collection of maquettes of vernacular architecture (the only one of its kind in the world), whose special attributes he highlights and whose value he underlines, the author selects contemporary realisations by architects from Africa, Asia, America and Europe that seem to him to constitute a new vernacular architecture.